Rene Gruau-
I already have some research in my original
essay I wrote at the beginning of my foundation course for unit 1 (Made in the
Shade). On top of that original research into what his work has been used for
in illustrative fashion and his style I will be continuing to look at Gruau
works for inspiration into my 1950s styled posters. Mainly focusing on the 1950s
style of a human body if used in my poster. I would like to continue exploring
the style I began on this piece with the use of block shading. I think this
style works really well for a poster as it creates strong colours that catch
the eye through the collection of shapes. I could explore using different
colours instead of the same colour in different shades. Making complimentary
and opposing colours that make the poster more eye catching. I’ve recently been
very drawn to a bright yellow and deep purple that could blend into a dark background.

Gruaua was very influenced by the artist Henri
de Toulouse-Lautrec’s Art in a Nouveau aesthetic. This influencing Gruaus use
of expressive lines and strong blocks of colour. These two pieces caught my eye
as I could create a poster using negative space and just lines. A figure
emerging out of a dark background for the poster. I also adore the use of red
on the painting “Brigitte Bardot L'elegante”. So simple and through just a few
lines to create a figure. I would love to try this style and see if I can mix a
few colours into the simple lines to create layers or rough paint strokes.
"Woman In Winter" "My Own Work"
Madame Talbot-
I recently discovered this artist when searching
for vintage freakshow posters. Instead a lot of her work came up. Which I’m not
mad about I find her website very intriguing and unlike other artists website.
Talbot seems very shy and avoids contact with people but her website is like
walking into an old witch shop with unknown spooky things filling the shelves.
Then you go through a back curtain leading to even darker things that I would
love to explore. Her website does double as a place to show off/sell her
collection of unusual things such as a 19th century blood
transfusion kit or 1880 Ebony Handled Bone Amputation Saw. But I am mostly
focusing on the work she creates herself.
"Skull Alchemy Ribcage Poster" "The Priestess Tarot Poster"
Talbot creates One-of-a-Kind Hand-Made Bibelots,
Arcane Monstrances, Framed Curios, Mourning Dolls, Dark Objet d'Art and
Hand-Illustrated Pen-and-Ink Poster Prints. Despite all of her intriguing
works, I will be looking at her posters to help inspire the way I set out my
own posters with borders and words. I may skim through her website every once
in a while, at her other spooky belongings for inspiration.
Her posters are full of detail,
especially in the borders. I really like the use of the banner in this fortune
telling poster. Also, Talbot rarely uses colour in her work. Sticking to a
monochrome colour scheme. Except the rare few where she uses very lack lustre
colours to create a vintage authenticity to the poster. I wont look at Talbot
for colour schemes or inspiration. Talbot uses a Ryan Gwinner Offset printing
press, unfortunately with being at home I can’t really explore many printing
options as I lack the materials and ink. I did also consider using a print for
the invitation writing on the posters or arrows. I could try cutting out
cardboard to create a print for the writing, but I still lack the ink and I
know normal paints don’t usually work from printing as I have tried previously.
"Fortune Teller Floating Skull Mind Reading Poster"
Natalee Miller-
I discovered my final artist when
ordering a pack of tarot cards for my unit four project. Her illustrations on
the cards were vibrant, modern and influenced by themes of mysticism, fashion,
science fiction, the Art Nouveau, Art Deco movements, ancient civilisations, astrology,
mid-century and 80’s nostalgia. Millers main bodies of work come
from fashion illustration, poster designs and colourful murals.
I see similarities in her
illustration style to the simplistic 1950s illustration style. Simple lines and
blocks of colours. This makes her style weave into Gruaus influences in my work
quite easily. Compared to the other two artists though, Miller uses very bubble
gum pop colours. Creating vibrant, electric colours that I adore. Miller has
also painted walls for house interiors and vases. I will use Miller for
inspiration in my use of vibrant colours to stand out of the dark backgrounds
and a more modern take on the way to paint 1950s block illustration style.
I enjoy how each of my artists are different but
work together as I am taking pieces from each to combine and make one new
thing.
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